2013-04-imcolumn

iM News: April Update / Bringing Back The Columns

iM back with a new basestation and new columns!

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Ep. 122: 2012-04-08 – Indie Love

iM: Episode #122 features 23 tracks including new music from JAPANDROIDS, PS I LOVE YOU, BANQUET, CHAMPION LOVER, and OLD ENGLISH.

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Column: [Listen Queer] THE CLIKS – Black Tie Elevator

iM’s Julia Stead explores the musical career of THE CLIKS’ Lucas Silveria and the band’s new 2013 release.

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Skyline: 02 – FACTS

iM catches up with the Vancouver synth-heavy rockers on the roof during their first visit to The Big Smoke.

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Featured Artist: PONY GIRL

Get to know iM’s October 2013 Featured Artist ahead of a stacked Toronto bill on October 24th.

Editor Picks:

7-Day Mixtape: 58 – REBEL REBEL

September 10, 2012
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With their debut EP set to drop on September 22nd at The Silver Dollar, Toronto rockers REBEL REBEL have a lot to celebrate.

Before the post-release chaos ensues (and everyone surely starts fighting for their attention) we caught up with guitarist/vocalist Travis Caine, multi-instrumentalist Kara Gauthier, and drummer Paul Cope to find out some of their favourite tracks – to keep things fair we let them have a couple bonus tracks for even numbers.

You can read their thoughts below and stream their “We Sound Nothing Like Bowie” mixtape by pressing play (duh!)



1. FOO FIGHTERSWeenie Beenie
PAUL: Dave Grohl smashing the drums into tiny smithereens, great melodies over top of everything, and guitar tones that sound like the pawn shop amps that all of my high school bands used. A great, simple tune from a no-nonsense album that just sounds like Dave having a great time, probably head-banging with an undercut the whole time.

2. FEISTA Commotion
KARA: FEIST has always been a big influence for me and this song’s instrumental arrangement is very compelling – I love her use of the violins and the rhythmic use of backup vocals. This song shows a darker side of FEIST not usually portrayed in her music.

3. THE SWELL SEASONWhen Your Mind’s Made Up
KARA: Glen Hansard is a great songwriter and his songs carry so much passion. The raw tone of his voice alongside the soft, haunting tone of Markéta Irglová’s works perfectly together and is the balance I desire from a male/female duo. So much emotion comes out during the buildup of this song – Glen Hansard has a way of telling you something about yourself that you didn’t even realize.

4. GREG MACPHERSONBroken Dreams
TRAVIS: Simplicity at its finest. You have the Springsteen-style pounding drums carrying the track the whole way through, a handful of chords (which only makes that small solo at the end pop more), and Greg’s Maritime drawl building and building with aggression until the song’s climax. It all serves as the backdrop for this lyrical powerhouse from one of Canada’s finest.

5. HOT WATER MUSICBetter Sense
PAUL: This is, in my mind at least, “THE” HWM hit single… How can you not like this song?

6. IGGY & THE STOOGESSearch and Destroy
TRAVIS: No matter what path you take with punk rock, it always leads back to IGGY & THE STOOGES eventually. I doubt there’s much I can say about Search And Destroy that hasn’t already been said in some VH1 special: it’s loud, raw, and good.

7. PEARL JAMDo the Evolution
TRAVIS: Stone Gossard sets such an awesome groove to this track right from the start with gritty guitar tones and a riff aimed directly at your jaw. Stylistically, the vocals are such a departure from typical Eddie Vedder, who completely loses himself in his performance with screams and shouts. To me, this is what the Doors would sound like if they were any good.

Bonus: ART BLAKEY & THE JAZZ MESSENGERSThe Core
PAUL: Jazz played louder than ever before; it’s virtuoso musicianship but no one’s taking it too seriously. ART BLAKEY’s good-times, poly-rhythmic drumming drove The Jazz Messengers for decades.

Bonus: WILCOVia Chicago
KARA: To see this song played live is truly a life experience. This song is a good example of music and sound being used outside of a linear formulation. The chaos at points in the background succeeds at creating two opposing sounds that somehow work: they’re interconnected to create these theatrical moments, and I think it adds much to the visual of the song and enhances the story of the lyrics.

About The Author
Ryan Stephenson Price is the co-host/producer of THE iNDiE MACHiNE; music video/commercial/feature director, photographer, designer, and journalist through his self-run STRATASFEAR PRODUCTIONS. A classically-trained & self-taught musician, Ryan is eagerly anticipating the debut of his sci-fi rock project TRIDIA which he claims will finally see the light of day in 2013 - he has been saying this every year since 2004.
Website // Follow Ryan on Twitter // iM Bio Page